Last week
was a huge break from my regular, mountainous Peace Corps life. I travelled down to Essaouira, a city on the
coast, in order both to watch the Gnawa music festival and to work with a
Moroccan anti-AIDS association, the ALCS.
ALCS and
Peace Corps have partnered together for many years at the Gnawa festival. ALCS uses the opportunity of the festival,
when Essaouira is loaded with concertgoers both foreign and domestic, to
provide free HIV testing, condoms, and information from two trucks near the
main stages of the festival. Peace Corps
Volunteers, along with local volunteers, pass out fliers, talk with people, and
lead interested people to the trucks for testing. People seemed very interested in talking with
us, both because they don’t often meet Darija speaking Americans and because
they know very little about AIDS and HIV, but are rightly terrified. I spent a lot of time correcting
misconceptions about the virus and working to convince young men that it was in
their best interests to get tested.
Those free condoms turned out to be a useful bribe, though because of
limitations on what Americans are allowed to do in aid work I could only lead
them to Moroccan volunteers who were passing them out.
After I’d
gotten over the initial discomfort of approaching random groups of young men (I
left the awkward work of approaching young women to the female Volunteers) to
talk with them about AIDS the work actually turned out to be quite
fulfilling. People were mostly genuinely
interested in learning, and if there was a clown in their group the rest
usually shut him up so they could learn more.
Often times those who had been joking became the ones who suggested they
all get tested right then. Three moments
broke the pattern and are worth talking about.
The first was when I approached a couple of older men and asked what
they knew about AIDS. They responded
that they had beautiful wives and therefore didn’t need to worry about it. Funny, but misguided. The second happened after I’d finished
talking to a group of four or five young men.
They thanked me for the information and then went about their way, but
one hung back and, in a perfect Southern accent, complemented my Arabic. It turns out he’s a programmer in the States
and was back to visit family here. We
talked a little about volunteer opportunities there, which he wants to do,
especially since he can try and naturalize himself soon.
The third
break from the pattern was far and away the most distressing. Talking with a group of disrespectful young
men (really the only very disrespectful group I met all day) two of them walked
off and dragged over a bunch of young women who they explained were their women
for the night. They said these were the
ones we should talk to. They continued
to hoot and holler as another volunteer and I explained to the prostitutes
about the disease, ways to prevent it, where the testing was, and how to get in
touch with ALCS. They seemed grateful
for the information even as they were intimidated by their clients. It was a pretty disgusting moment, though I’m
glad the women got the information.
Apart from
my work, last week was also the celebrated Gnawa Music Festival. The festival (which I would really call more
of a concert series, since there was only music in the evenings at a very few
venues) features Gnawa, but also allows other musicians from across the world
to play. Gnawa is an interesting
genre. Like American blues and jazz its
roots are in music which West African slaves brought to their new country, in
this case Morocco. Gnawa, which means
black in a Tamazight dialect, is a fusion of Amizigh music with West African,
and had a big influence in Morocco’s mystical Sufi tradition, where people
would smoke and listen to the music for a spiritual experience. It centers around chant like call and
responses, triplet heavy rhythms, and often (though not always) a low bass
instrument called a gimbari. In many cases it also involves ecstatic
dancing, sometimes even the drummers and members of the rhythm section will
make gigantic leaps into the air.
For the
most part I like the recordings of Gnawa music that I’ve heard, but most of the
acts at the festival left me cold. I
think a big part of the problem was with the festivalgoers themselves. At most music festivals anywhere there are
going to be a number of high people, it’s pretty much expected, but Moroccan
young men on drugs seem particularly unpleasant. Any time I went to music with female
volunteers I felt worried for them, and with good reason, most of the time we
left early after one too many men took liberties grabbing at the women. The only time I was able to relax a little
was the time I checked out a little of the music alone, and even then I’m glad
I’d tucked my wallet into the breast pocket of my shirt, because I felt a
pickpocket’s hand go into my pant pocket while his high-as-a-kite buddies tried
to distract me with their singing and dancing along with the musician. The musician playing was named Omar Hayati,
which can translate to Omar the Living One.
He was fantastic, and I stayed for awhile after moving away from the
pickpockets, but it was too little too late to let me really enjoy the music at
the festival.
This all
sounds negative, but I actually did enjoy my time in Essaouira. The work with ALCS was very rewarding, the
counterparts we worked with fantastic, and in addition I get to spend time with
a lot of other volunteers and hang out in Essaouira, a city with great food and
laid back attitude. Watching Omar the
Living One was also great, it may have been the only bit of live music I
enjoyed at the music festival but I enjoyed it a lot.
Immediately after finishing work at
the festival the volunteers in my training group all travelled up to Rabat
together for our Mid-service training, two days where we reconvened, talked
about our work, and got some further language training from Peace Corps. I was able to get a lot of language questions
cleared up, and as frequent readers know I always enjoy Rabat. Now I’m back in site, but not for very long,
soon I’ll be making the attempt up Toubkal with my C.L.I.M.B. students!